Alice – Tequila Mockingbird Blog Excerpt

The following excerpt is taken from Mark Wilson’s (under the pseudonym CP Wilson) upcoming psychological thriller ‘Alice’ due for publication via Paddy’s Daddy Publishing in Winter, 2016.

The primary character, Alice, is a serial killer who targets abusive spouses. After each kill she posts a blog entry. The following excerpt contains one such entry. Happy reading:

Alice-favourite copy

Tequila Mockingbird

Blog

Kill 17

Michael McKenna died tonight in his home in Edinburgh. His life was brought to a relatively peaceful end. A more serene exit than he deserved, and certainly more humane than the manner in which he treated his family for seventeen years.

A habitual abuser of his wife, Mike employed very few, but expertly-effective methods of torturing his children and spouse. Mike enjoyed his family’s fear. He thrived on their dread, gleefully and ruthlessly taking every minute scrap of independence or self-esteem from them.  A long-term gambler and adulterer, Mike McKenna created a domain in which he ruled supremely over his dependents. A child-man, Mike demanded and expected his every need and whim to be not only catered for, but anticipated. Mental and physical abuse his preferred tools; vindictive domineering and manipulation his most cherished entertainment.

Across fifteen years, Mike beat his wife on thirty seven occasions that I am aware of. During his tenure, Sadie McKenna suffered six broken ribs, a ruptured kidney and numerous arm breaks as a result of displeasing her husband, or failing to foresee one of his many and unpredictable needs. Most recently, Sadie was hospitalised due to a ruptured kidney, a vicious blow delivered with gusto by a coward, relieved her of an organ. Good thing you have two ay thum, Mike had sing-songed to her upon her return home. The damage to her internal organ was convincingly blamed on a fictional mugging in the park.

Sadie endured her husband, absorbed his blows, wilted under his deeply personal criticism of her body, her mind, her spirit.

She forced herself to survive, to remain in order to shield her children. Her eldest, also Michael, intervened more than once. A fractured cheek bone and a broken finger did not ultimately prevent the laddie from placing himself in front of his mother time and again. Mike’s control of the twins hadn’t graduated to physical yet, emotional blackmail and fear served him fine.

Sadie and her children played no role in his death. I acted alone. 

I know these things about Michael McKenna because I watched him for a long time. I saw how he controlled and victimised those he should have loved and cherished. 

Mike will never harm Sadie, or anyone else again. I opened his carotid artery and removed his eye. I looked into the remaining window to his rotten soul and watched the vindictiveness, his rage that Sadie had escaped his world colour his last moments.

Sadie and her children are safe. Never again will they flinch from a step on the floorboards or the voice of their jailer. 

Press In,

Tequila

End of Excerpt

feminist-symbol.png

Mark is the author of ten works of fiction. You can find Mark and his books at Amazon.

Networking For Authors. 

Networking can be tricky for a writer, especially for Indies. Here’s my top tips on how not to be a wankbag. 

How to Network

Incorrect:

1) Email a writer you’ve never read telling them you love their work and asking them to read your book….cos it’s yours. 

2) Just email a writer your book. 

3) Add on FB or Twitter. Make no attempt at conversation. Post requests or links to your book on their timeline. 

4) Propose a ‘read mine and I’ll read yours’ deal. 

5) Propose a ‘review mine and I’ll review yours deal. (Reading said books not required). 

6) Invest time in gathering reviews from other writers solely for cross-review purposes. 

7) Don’t other writers to proof or edit your work. Hire an actual editor or proof-reader.

8) If you get constructive feedback you don’t like, say thank you and read it again a week later. Chances are you’ll find that some of the comments you’ve been given will improve your book in some way you hadn’t considered. When someone invests hours to give a good, honest critique of your work, you should be nothing but grateful that they valued it enough to do so. 

I love your books


Correct:

1) Never network. 

Make actual friends, have actual conversations. You might accidentally make a friend. 

2) Never request that they read your book. If they ask after it, offer a free copy, no review requested. 

3) Read books you genuinely think you’ll love. If you enjoy it, email the writer telling them so. Leave it to them whether they choose to respond or seek out your work. 

4) Offer any skills you have to fellow writers for free. Expect nothing in return, do it to see others succeed and produce the best work they can. Success for one of us feeds into the collective. 

5) Do not pester readers. Pursue readers instead of other writers. Engage those you think will enjoy your work. Do this by placing your categories and keywords with some informed insight and by marketing in appropriate genre and forums and linking your book to similar titles. Give lots of copies away with only a gentle request for an honest review. 

6) Occasionally construct a list of readers who have read works similar to yours. Email them a free copy stating that you’ve noticed they read X and think they’d enjoy yours also. Do not request a review. 

7) Write. Lots. Produce a shit load of quality books that you’re proud of. More than anything this will increase your discoverability, assist your books in being linked to others that compliment and increase sales and aid in finding readers who give a shit about your books. 

8) Don’t be a needy, narcissistic sycophant. 
Find Mark and his books at Amazon….Or don’t. He doesn’t give a fuck. 

Alice – Chapter One Preview

The following excerpt is from my upcoming novel, ‘Alice’, due for release in autumn, 2016. The book is being released under the pseudonym C.P. Wilson:

Copyright, Mark Wilson and Paddy’s Daddy Publishing.

Alice-favourite copy

1

 “It’s about time you got your arse in gear,” he growls from his chair. Remaining silent. I bow my head, chin to my chest. Chopping carrots, I have my back to him. The chair screeches across the tiles as he rises to his feet. Fists thumping the table top, he demands, “How long is that gonnae be. Fuckin’ starving here.”

“Not long now, Mike,” I tell him quietly.

I can feel him regard me for a few moments. Lighting a cigarette, he blows the smoke out forcefully.

“You sound funny, you’d better not have a cold coming on.”

“Just allergies,” I reply.

“Good,” he barks, “Can’t be doing with you being off your game just now.” He returns to his chair. “Your hair looks different,” he accuses. “Who you trying to impress?”

I force cheer into my voice, “No-one, Mike. Would you like a beer?”

He snorts his derision at me, “Took you long enough to ask.”

Placing the chopping knife onto the counter-top, I keep my back to him as I reach into the freezer.

“Beer’s in the fridge,” he cuts in. “Idiot.”

“Oh, I put one in here a little while before you came home, love. Get it nice and cold for you.”

“Good.”

Keeping my chin tucked in low to my chest, my face obscured by my red hair, I hand him the beer without opening it.

Mike stares at the can in my hand, incredulous. “What am I supposed to do with that?” he asks. I let the can slip from my fingers. His eyes follow it to the tiles, widening as the can splits upon impact, sending a spray of beer scooshing around the kitchen.

When he looks back up at me, I watch his face through strands of my hair. Morphing from surprise to a grotesque anger tinged with joy, he stands, pulling his belt from his waist.

“Dearie me. That was unfortunate.” He sing-songs the words. The bastard is delighted to be given an excuse to punish me. Before he strikes, I lift my chin, showing him my face for the first time since he arrived home. My right hand is already in motion.  Our eyes meet and the shock breaks his glazed predatory leer. “Who the fu…”

Sliding six inches of ice-blade into his neck, I shove him back into his seat, turning the blade in his neck to widen the gash in his carotid artery as he flumps onto his rump.

Mike’s eyes are fixed on mine as I clamber to sit astride him, in his lap, a leg at each side, pinning his jerking legs. His belt has fallen to the tiles, his hands claw at his own slick neck. “You’re not…” he coughs blood-mucus.

Withdrawing my weapon from his neck, my eyes flick to the edge for a second. The arterial spray redecorates the walls. Noting that the edge is still intact, I plunge the tip into his right eye.

He screams. The Sclera of his eye slides down a few millimetres on my knife tip.

“No I’m not Sadie,” I say quietly. Sadie is gone. Despite the mortal wound in his neck, the mad woman on his lap and the ice-blade in his eye, hatefulness flickers once more in Mike. He can’t stand that she’s out of his reach.

“She’s not coming back, Michael,” I tell him. Don’t bother with the tantrum, you don’t have the strength anyway. I nod across at the blood-splattered fridge.”

My words are wasted, he’s already slipping deep into shock. The arterial spray from his neck has died to a throbbing squirt in time with the slowing beat of his heart.

Disappointed at the speed of his death, I pull the weapon from his eye which flops onto his upper cheek; a thick mishmash of cords and vessels snaking into the socket. Most of the ice-blade is wet now, its structure is beginning to disappear. Unwrapping the leather straps from around the handle, I stand and place the now-slippery weapon onto his lap.

Clawing irritably at an itch under the wig, I remove Sadie’s clothes and stuff them into a carrier bag. Stood in only black leggings and long sleeve T, I shiver upon opening the front door. The cool darkness rushes into the heated room as I leave, stirring the iron blood smell around the room then sucking it out into the darkening night. Suddenly, I wish I hadn’t left my jacket on the bike. Never mind.

“Bye, Mike.”

Stepping out into the Edinburgh dusk, I briskly walk the five miles to where I left my bike in the shadows of a Sycamore, on Grosvenor Crescent. A few minutes later I’m on St John’s road, headed for the M8.

 ∞∞∞

 The warmth of my Hamilton apartment embraces me. Headed directly to the living room, I make a quick check that my blinds are closed, and that the fire I lit earlier is of sufficient size and intensity. Absent-mindedly singing to myself, I retrieve the leather strapping from the ice-blade’s handle and drop it into the fire. Hand over hand I roll Sadie’s clothes into a tight cylinder and lay them onto the fire.  There they join the leather strap, followed by, the wig which crinkles and melts as it lands in the heat. Left wearing a simple plastic bodysuit, I watch the flames devour the last of Sadie, only a faint sense of loss tugs at me. The flames swell and dance around as I unzip the plastic suit, leaving myself naked. Kicking the plastic suit into the fire along with the rest I head to the bathroom.

Almost a full half hour later- skin reddened from the long immersion in the heat and smelling strongly of carbolic soap- I step carefully from the cubicle. Catching myself in the mirror, I toss a wink then pad, wet-footed into the bedroom. The white tiles underfoot throughout my little apartment, feel cool and clean against my skin. The clinical detachment of the day- washed from my body as surely as any traces of Mike and Sadie’s home- is replaced by the glow of expectation.

Once dried, perfumed and dressed, I leave my little apartment at the Racecourse. My Ducati seems to grin at me from the garage as I step inside. Come on, let’s fly.

Like I need any more exhilaration tonight.

   ∞∞∞

 The lock slips open. Silently I slide into the hallway, closing the door gently behind me. My phone screen tells me that it’s two am. Choosing my stairs carefully on the ascent, I use the sides of each stair, feet in against the wall where they’re less likely to creak the boards beneath. I’m good at this, the sneaky stuff. Before I reach the topmost stair, the sound of his snoring reaches my ears. Unwilled, a smile tugs at the corner of my mouth. In a few paces, I’m through the bedroom door, peeling clothes as I pad silently towards the bed. Stealth matters more than neatness, so I leave my clothes crumpled on the landing floor.

Abruptly his voice breaks my stride,” Hey, hon. How did the research go?”

I enter the room and grin broadly at him. “Sorry, love. Was trying not to wake you.”

Jimmy sits, two pillows propping him. God, he looks tired.

“S’okay. Was only dozing anyway,” he smiles at me. “How’d it go? Get what you need?”

“I did, thanks, love,” I say, truthfully.

The moonlight coming in through the window cools the room, giving it a waxy look. He never draws the bloody curtains. Fussing at the tie-backs I speak over my shoulder, “Well, get back to sleep,” I admonish. “You’ve on an early shift in the morning.”

Jim nods, “Aye, I will, but c’mon.” He pats my side of the bed, “Spoon time.”

“Just let me brush my teeth, love. Won’t be long.”

“No shower?” he asks. “Had one at the gym,” I tell him as he slips under the covers, his back to the vacant space in the bed.

“Mmhmm,” good,” he drowses.

A few minutes later, I curve my cool body around his, absorbing his heat.

“G’night, Alice,” he mumbles.

“G’night, love.”

 

You can find Mark and his books at Amazon UK and US

 

 

 

dEaDINBURGH: Hunted – Preview

The following excerpt is unedited and taken from

dEaDINBURGH: Hunted (Din Eidyn Corpus 4)

Available to pre-order now at Amazon

Filtering out Dad’s scraping and clattering, I focus on the errant noise. The pattern of the sounds tells me one of The Ringed is nearby, probably in amongst the trees or shrubs and making its way towards our little picnic site.

Leaving dad to busy himself with the tea, I move quietly towards the source of the noise. Shoving a heavy branch from my path, I come across a female Ringed. Both of her legs are badly broken. She walks with the ankle of her right foot folded all wrong, so that her foot trails along behind. Her lower right leg is missing completely giving her a tilted gait. I let a sigh out and draw one of my knives.

Seemingly intent on moving her awkward limbs, she doesn’t notice me until I’m three feet from her. When she looks up at me, I gasp and take a step back.

She’s newly-risen. Aside from the damage to her legs, she’s in good condition. At a guess, I’d say she’s been dead less than a month. It’s not the condition of her, or that she’s so close that makes me start. It’s her appearance. She’s my age, has my hair colour, height and general build. She also has her right eye missing.

The girl’s lips snarl back to reveal a mouthful of gums. No teeth remain in her head. Stepping towards her, I shove her powerless arms aside before driving my heavy blade through her brain. The girl flops, adding to the detritus. Sprawled onto the forest floor, I get a clear look at her. She does look like me, very much like me. Unnerved I draw a second blade and press my back to a silver birch for cover. My eye catches a glint at her leg. Peering closer, I get low. It’s a knife worn exactly where I sheath my own.

I close my eyes lightly and concentrate on the sounds around me, like Joey taught me. Filtering out animals, birds, the wind and swaying branches, I pick out an altogether more human sound.

To my left, perhaps fifty feet from me, a light and familiar footstep disturbs some dry leaves.

The girl, the location, the macabre humour of her appearance…Suddenly the tableaux makes perfect sense. In his head anyway.

“You might as well come out, Bracha,” I try to sound bored.

A moment later he ghosts out of the shadows, lifting aside a low branch with his golf club. Leaning on the club, one leg crossed over the other, he smiles broadly at me. “So wonderful to see you, Stephanie my dear.”

A soft kick to the dead Ringed girl’s shoulder, “I do wish you had played a little more nicely with my friend, though. It took me an age to find her.”

I make a deliberate show of re-sheathing my blade and taking a relaxed stance. Despite his jester’s demeanour, His eyes note every move I make. Nodding at the dead girl, I ask. “Why?”

His expression shifts to one of deep sincerity. “I missed you, Stephany,” He says. The bastard is telling the truth. He selected this girl, took an eye and dressed her as me so that he had someone to talk to…no. So that he had me to talk to. Had he really grown so used to having me around?

His eyebrows lift in faux nonchalance. “She was a lot less trouble than you, though, Stephanie. Although… you do have a certain way with you.” The shark grin returns.

“You know I’m here to kill you?” I ask flatly.

He lifts his club and performs a little flurry with it, twisting it around his fingers only to toss it overhead and catch it on his waiting foot. With a flick, he punts the club back into his waiting hand. Throughout his performance, my eyes watch his hands and feet for a hint of an aggressive twitch. The display is not a distraction. He’s simply happy to see me.

“Well of course, my darling. There’s no-one else I would rather dance with.”

Showing him a shark-smile of my own, I draw two of my knives.

“But…” He blurts, holding a hand out in front of him.

“As you’ve brought my dear friend Jimmy along on the trip, let’s say we have a civilised discussion before we engage in our dance. Get to know each other once again, maybe share a meal. I also have some interesting information to share with you and your little community.”

I’d forgotten the sharpness of his senses and his habit of scouting the area he’s in regularly. I rebuke myself silently at his mention of James and resolve to remember my lessons better in future, if I have a future.

Wondering how long Bracha has been watching us, I shake my head minutely. “No.”

Bracha sighs and leans back onto his club once again.

“Manners, Stephanie. What has happened to people’s manners in this city?” He looks at me expecting as response. I give him none.

A long resigned sigh comes from him. “Well, I suppose if you absolutely insist…” Allowing his golf club to thud to the ground, Bracha draws two of his favourite blades. His movements are much less smoothly executed than I’m used to. The cold and his injuries have shaved another portion of his speed and agility. My heart races as I realise that I’m faster than him now. I’m capable of a greater range of physical attacks also. I have a chance, so long as I don’t underestimate his decades of experience.

A wistful look replaces his predatory expression. Bracha nods at my Ringed doppelganger. “I can always make friends with you once again.” He crouches to the Ringed girl. Coating his knives in her blood and saliva he resumes his fighting stance.

“When you awaken.”

End of Excerpt

img_5563-1

dEaDINBURGH: Hunted (Din Eidyn Corpus 4) is available to pre-order now at Amazon

After Call Work by Ryan Bracha – Review

Following his success with The Dead Man Series and The Switched, Ryan Bracha has followed up his best works to date by upping the ante once again

After stepping out in the too-accurate dystopian world of New Britain and the Fucked up, satire, The Switched, Bracha is keeping things simple this time and returning to more ‘normal’ settings and characters; as normal as a journey in Brachaland gets at any rate.

Set in a fictional call centre, After Call Work, follows two central characters and narratives. Barry is the consummate, loser. A jobsworth, an underachiever and borderline suicidal, Barry fumbles his way through knife with all the social skills and guile of a five year old.

Penny is more self-assured. Popular, confident and the focus of Barry’s growing desire, the two set things in motion neither can predict nor control.

As regular Bracha-readers have come to expect, the writing is pacey, technically skilful, creative and smacks of great characteristic and character development. Setting the novel in the real world, rather than some futuristic or body-switching earth, takes nothing from the creativity or entertainment of the novel. What it does though is to allow Bracha to utilise all of his skills in placing real people in messed-up situations and peeling away at their emotions, personality, their beliefs in who they are and their ability to endure to the end of his novel.

Bracha has all the talent of a Billy Connelly or a Roddy Doyle in observing people and conveying the best and worst of human nature to his readers with deadly and often funny accuracy.

After Call Work: Verbal Warning is book 1 in a new series. I’m all in.

If you’ve never read a Bracha book before, this is the place to start. If you’re a long term reader, strap in and enjoy another top-notch addition to Bracha’s bulging body of work.

5157RWtOKfL

 

You can find Ryan and his books at Amazon UK and US.

dEaDINBURGH: Hunted – Preview

Jess is a new character created for the fourth dEaDINBURGH novel. 

The following excerpt is pre-edit and copyright of Mark Wilson and Paddy’s Daddy Publishing:




One Year after The Battle of Edinburgh Castle

Jess

 

 

The tree bark digs into my back but does not betray my position. The afternoon’s rain has soaked though enough to lend the outer bark a little flexibility. A snap of underbrush to my left sends me to my haunches. Spider-like, hands and feet, I crawl silently from my cover under the oak, moving across the wettest, softest parts of detritus towards a fox hole I’m likely small enough to fit inside.

Feet first, I slide my entire body length into the burrow; silently praying that foxy isn’t home. My legs continue to disappear into the humid darkness. Each inch of progress without resistance from earth or occupant slows my pulse. Finally, I clear the burrow entrance with my head without incident and pull some brush over the opening.

My legs are extended straight behind me, my butt scrapes the ceiling of the burrow, the crown of my head touches there also and my chin the ground. My arms are extended in front of me, fingertips mere centimetres from the brush I’ve placed to disguise my sanctuary. It’s a tight fit, even for me, the smallest and youngest of my community. Just as I’ve been taught, I breathe very deliberately and deeply, taking a small part of my mind elsewhere, the Claymore’s pavilion, a sun-drenched patio area I lounge and read in regularly. Once I mocked the gentle passiveness of Claude’s training.

Now, entombed in damp, warm earth, my only protection from the four adults trailing me, I say a silent prayer thanking him for teaching me to tame my physiological responses and take my mind elsewhere.

 

The footsteps of two of them draw near and I pull my scarf up over my mouth that my breath- fogging on the cool springtime air- doesn’t betray my presence.

Abruptly they appear a man and a woman. As I’ve been trained to, I take in their appearance, their mannerisms, their gait, physical strength, the movement of their bodies; likely stamina and flexibility. I assess the danger they present to me and decide to stay clear of them for now.

The man has been tracking me through the undergrowth of the forest. This surprises me, it shouldn’t, no-one survives in the dead city without some level of skill. I mentally chide myself for having assumed that he was less than able, simply because he did not walk, move or behave like a fighter. He may not have the physical attributes to make me wary of him, but his mind and senses are quick. Mindful of his busy eyes, I slow my breathing further and relax my muscles lest an involuntary tic or twitch betrays me.

The man is young, perhaps twenty-two. The woman with him looks to be around forty, I find it hard to tell with people that old. He makes a wide sweep around the clearing directly outside where I lay. The woman rests against the same trunk I took cover behind a few moments previously. Fearful that somehow they’ll hear the movement, I fight a smile that’s tugging as she obliterates all trace of my having leaned there for a spell with her own actions.

The young man scans the ground, his eyes moving to the oak where his companion rests her rear. “The trail ends there, at that oak tree you’re under,” he gasps worriedly. “There are a few scratches here and there.” He points out a fee tracks in the leaf litter leading away from my actual position. “But, anything could’ve made them, Mags.”

The woman’s eyes fill with tears. “She’s just a kid, Michael. She can’t be more than eleven or twelve years old. We have to try to help her. God knows what these maniacs have in mind for her.”

The man, Michael roots around, shuffling leaves and branches aside with his feet fruitlessly. A sag of his shoulders set the woman off again.

“C’mon Michael,” she screeches.

Michael’s face is a mask of fear. “For God’s sake be quiet, Mags,” he hisses. They’re bound to be gaining on us by now.”

Mags snuffs at her sleeve, her eyes boring into Michaels, but stays silent.

“You saw what they did to the group they sent out here yesterday.

Mags’ face blanches at the memory.

“C’mon,” Michael says softly. “Let’s keep moving.”

Mags, making enough noise and leaving a trail obvious enough to give her position away to even the most dim-witted pursuer, follows Michael, who would plainly be better off leaving her behind.

 

A few minutes after they leave, the other two from their group stumble through the same little clearing. Both men, they are an odd pairing. One of them is small, clearly terrified. He has a bookish look to him, soft hands and a thin frame. The movement of his eyes and head as he walks reminds me of those of a frightened sparrow, starting at shadows and woodland sounds.

The other man is a big one. Heavily packed with functional-looking muscle, his movement screams not just strength but speed also. He trudges clumsily, which tells me he has no finesse to him. It also implies that he doesn’t require any. His power and speed would make any subtle execution of combat a hindrance to him. Come within six feet of those shovel-hands and gigantic feet at the ends of long powerful limbs and he’s in control of the situation.

I mentally note all of this, comparing it with past experience and formulating a handful of possible strategies. The others shouldn’t be too much of a problem to evade or engage. This one is going to be a challenge.

The giant turns angrily to his cowering companion. “Stay here.” He barks. The smaller man whimpers…an actual whimper, like a cowed dog.

The giant’s lip curls into a sneer. “You shut the hell up, Steve,” he says pointing a thick sausage finger into the smaller man’s face.

Steve lowers his eyes.

The giant sighs. “Look, I just need to go follow Mags and Mike’s trail. I’ll catch up to them and be back for you, alright?”

Steve manages a nod. “You think they caught up to that wee lassie?” he asks.

The Giant shrugs, “Don’t know, don’t care. They were stupid to follow her.”

Conversation over, the giant smoothly disappears into the dense treeline, leaving Steve to find himself a stump for a seat.

Seated with his back facing my bolt hole, Steve shifts and fidgets so much he masks the minute sounds of me removing my camouflage and shifting my body across the ground, out of the burrow. Slowly I use my fingers and toes to gradually drag myself from the close confines of the fox burrow. The sounds of the forest keep his sparrow eyes darting to all the wrong places as I clear my knees from the burrow and rise silently to the balls of my feet.

Picking my way around any twigs or other potential noisemakers, I near him, smiling to myself at the dullness, or perhaps shrillness, of his senses. I draw my blade as I take one final light step towards him. Something primal in his psyche recognises a predator stalking him, but Steve is simply too busy jumping at shadows to listen to the ancient voice in his head trying to alert him to the hunter. Me.

My blade cuts through his carotid artery as my hand stifles any trace of sound from his mouth. I follow up with a stab through his voice box, just in case then shove him face first to the leafy ground to die quietly.

One down, three to go.

Three of the Ringed shuffle clumsily into the clearing, drawn by the loo, I suppose.

Fighting the urge to whoop with the thrill of the kill, I dampen my excitement and follow the giant’s messy trail, leaving the Ringed to their meal.
dEaDINBURGH: Hunted (Din Eidyn Corpus 4) is due for publication on 13th July, 2016 and available to pre-order now at Amazon

Behind The 8-Ball – Review. 

Behind the 8-Ball is easily one of my favourite books this year. Furchtenicht has always had such skill as a writer that he’s easily capable of creating complex characters and grinding them through the mill, slowly peeling away layers of their personalities, virtues and vices. 

  
As in life, No character is unsullied in a Furchtenicht novel. No Mary-Sues or Gary-Stus to be seen. Instead Furchtenich’s world and its people display convincingly real motivations and evoke too-real emotions in the reader. 

I’ve been a massive fan of Craig’s work since I picked up Dimebag Bandits a few years back and cursed myself that I hadn’t written a work as fresh and biting as said book. 

Craig’s consistency, skill and creative innovation places him alongside Ryan Bracha as my favourite and the finest of Indie-writers working either side of the Atlantic at present. 

A great follow-up to Dimebag Bandits and another novel for Furchtenich to be proud of and the rest of us to admire. 

You can find Craig and his books at Amazon US and UK