Mullins’ Novel is an uneasy read. Shedding many of the characteristics of the bog-standard ‘psychological thriller’ Beautiful Liar flips back and forth between past and present, gradually revealing the path to the murder the reader encounters in the book’s opening pages.
The first-person, present-tense narrative works well enough, mostly because the alternating between Joel and Erica’s segments is startling due to the stark differences between the characters’ personalities. So much so that perhaps using different POVs or tense may have been overkill.
Joel is skilfully manipulative, in the way that many controlling men and abusers can often be. Mullins has done an admirable job of conveying his presence, without ever resorting to moustache-twirling.
Despite the situation she is placed in, and my sympathies with Erica, as well as my support for her dispatching of her husband, I didn’t always like her, which made me like the book more than I might have had I found a Mary-Sue.
I’m unsure whether this is Mullins’ debut novel or not, it certainly doesn’t read like one, rather it shows a writer who is well along in her development and demonstrating her skill.