This book has been my surprise of the year so far.
A first in the genre from Evans, Kill or Die is nonetheless a fine display of skill and confidence from a seasoned writer who makes smart choices in her prose and choice of narrative. Evans’ immersive and descriptive prose excels in engaging the reader and in stimulating a cascade of very vivid images of the setting and her characters.
Well-crafted, and natural-feeling dialogue, utilising a mixture of long and short sentence structure, augment the already good characterisation. Combined with Evans use of Body language to covey intent and emotion, this elevates the characterisation to another level and places it amongst the most skilled I’ve read in a while.
A third-person, past-tense narrative throughout suits the plot and propels the characters and their deeds along at a fair old clip. Kill or Die is seeped in suspense, eliciting a deep sense of unease and conflict throughout. The novel is permeated with a measured tension that I really enjoyed. With her choice to place Julia and her daughter front and centre, Evans appears to effortlessly tap into the subconscious fears all parents harbour and suppress and asks her readers to explore their own unease.
How far would you go to protect your child? Answer: As far as you had to.
A great new addition to the publisher’s catalogue and yet another declaration of Bloodhound’s intent to continue to develop quality books and writers.