Time Shards by Dana Fredsti and David Fitzgerald – Review

The book:

Time shatters into shards of the past, present, and future. A group of survivors dodges threats from across history to locate the source and repair the damage before it’s too late.
IT’S CALLED “THE EVENT,” AN UNIMAGINABLE CATACLYSM THAT SHATTERS 600 MILLION YEARS OF THE EARTH’S TIMELINE.

Our world is gone, instantly replaced by a new one made of scattered remnants of the past, present, and future, dropped alongside one another in a patchwork of “shards”. Monsters from Jurassic prehistory, ancient armies, and high-tech robots all coexist in this deadly post-apocalyptic landscape.
A desperate group of survivors sets out to locate the source of the disaster. They include 21st century Californian Amber Richardson, Cam, a young Celtic warrior from Roman Britannia, Alex Brice, a policewoman from 1985, and Blake, a British soldier from World War II. With other refugees from across time, they must learn the truth behind the Event, if they are to survive.

TimeShards

My review:

Time shards is  technically accomplished, smart, visceral and is by far the most creative novel I’ve had the pleasure to read this year. This book had me tearing through the pages in the daytime and dreaming about being in Fitzgerald and Fredsti’s kaleidoscopic world during my sleeping hours. 

Forget what you think this book will be about, these are writers who defy all convention; displaying a reverence for pop-culture, tight plotting, excellent characterisation and throwing cross-genre elements around like confetti. 

Written 3rd person, past tense throughout, the novel benefits from two writers who play to their strengths and compliment each other perfectly. 

In the early stages of the novel, the division of labour is clear. Each of the main characters has their distinctive voice and ‘feel’. 

 As the main characters, and plotlines, converge Fitzgerald and Fredsti seamlessly blend their narratives whilst losing none of the distinctiveness, guiding the reader skilfully to the climax. This isn’t an easy thing to accomplish and demonstrates each writers’ skill and ingenuity.  

By the novel’s close, the reader is given an unexpected and thrilling conclusion, and one hell of a hook into book 2.  
An absolute monster of a novel by two accomplished writers who are as comfortable demonstrating their considerable skill, as they are trampling across genre and fucking with your expectations. 

Time Shards is available now at Amazon UK and US

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In The Blood by Lesley Welsh – Review

Book Description:

Grace Dobbs, a champion at her local gun club, lives a quiet life in Western Australia with her mother.
But when a violent spree killing in the neighbourhood sees Grace come to the rescue, she is catapulted into the limelight as a local heroine.
However, her fame spreads much further than the local town, bringing her to the attention of someone in Britain who is very keen to meet her.
But what does this person want? And can they be trusted?
As Grace travels to England to discover her true heritage, she is about to learn the real meaning of danger.
Lesley Welsh - In the Blood_cover_high res_preview
My Review:

With crackling dialogue, spot-on scene-building and an utterly engaging writing style, Ms Welsh has produced a very impressive novel in In The Blood. I tore through this novel in a single day.

Written in third-person, past tense throughout, In The Blood is a lovely work from Lesley Welsh and one that displays her impressive technical range. The narrative flits between several characters, time periods, and cities early on, at once sweeping the reader directly into the characters’’ psyche, situations and their lives with some urgency. In The Blood possesses one of the most invigorating openings of any novel I’ve read in recent times.

For me, Welsh’s skill lies in her enormous talent for making each of her characters sound so different on the page despite being written in the same tense and POV. Many very successful writers struggle to develop this skill, Ms Welsh is simply gifted with a tremendous dexterity in characterisation.

In The Blood is an enormously enjoyable read. Entertaining, unflinching and seeped in dark intent, the novel leaves this reader lamenting that the late Ms Welsh won’t gift her readers another work.

The Author:

Lesley Welsh was a freelance writer whose work appeared in numerous UK magazines over several years, including Cosmopolitan and Marie Claire. She later teamed up with her editor partner to run their own London-based magazine publishing company Moondance Media until 2008.

She moved to Spain, where she began writing novels, and working as a publicist for a charitable organisation which helps fund shelters for victims of domestic violence. 

Her first novel, (published under her own name, Lesley Ann Sharrock) The Seventh Magpie, was published in the USA in 2012.

She then changed genre and, as Lesley Welsh, her debut crime novel, Truth Lies Buried, was published to great acclaim by Thomas & Mercer in June 2016. 

Lesley went on to write The Serial Killer’s Daughter, which was published by Bookouture in June 2017. At her untimely death, Lesley had just completed a further novel, In the Blood, which is now available with Bloodhound Books.

In The Blood is available now at Amazon.

Standstill by J.A. Marley – Review

 

J.A. Marley - Standstill_cover_high res

Book Description:

Even the deadliest criminals leave a trail…

When a psychotic policeman drags the young, ambitious thief, Danny Felix out of bed, he could not imagine he was about to be plunged into the robbery of a lifetime. 

Corruption and coercion follow the corrupt Detective Inspector Harkness everywhere he goes and now he has Danny just where he wants him. 

But Harkness isn’t the only officer with Danny in his sights. Christine Chance is getting closer to him while doing her best to be a mother to her seriously ill daughter. 

Can Danny escape Harkness with his life intact? Can he avoid detection by Chance?  And does he have what it takes to use the streets of modern day London to pull off the theft of the 21st Century? 

Danny thinks he can…but there will be bloodshed?

 

Review:

Standstill is an invigorating read that feels like it is adding something quite fresh, modern and fun into an often tired and clichéd genre.

J.A. Marley writes with all the technical skill and self- assurance of a seasoned writer whilst managing to make his characters, plot and dialogue feel vital, realistic and utterly connected to the plot which unfolds at pace throughout this novel. For a debut author Marley’s ability to tell a story, which he fires relentlessly at the reader, is notable.

Written in third-person, past-tense throughout, Standstill is one of the paciest and most engaging novels I’ve read in recent times. The reader follows a number of characters through several weeks in which they are brought together on the road to what is essentially an audacious heist at the finale of the book.

What sets Marley’s characters, and his story, apart from the usual heist romp is his ability to convey the very best and the very worst of each of his characters; exposing their intentions, motivations and desires without judgment.

Marley lays his characters bare before the reader, utilising some lovely flashback techniques that in less able hands could’ve been unengaging exposition dumps. Marley takes these moments and expertly crafts tender, or brutal or, heart-wrenching insights into his main players. This is not an easy technique, that a debut writer is assured enough to utilise, and in such fine manner, is impressive.

My favourite example of this was a scene in which Danny replays sections of his childhood whilst picking locks. This scene was heavy with metaphors and symbolism and was a completely perfect little section of writing.

Marley’s characters are the lifeblood of this wonderfully invigorating read. Each of them pulses into vivid life displaying psychological damage, realistic motivations, flaws, virtues. Each are genuinely lost while still remaining intent on their goals. Complex stuff, from some truly terrific characters, none of whom are minor or act as bit-players.

Dialogue is also a major strength throughout. Always believable, and never wasted, Marley’s dialogue serves to move the plot or the character development forward. Not a ‘spoken’ word is wasted as filler.

Marley writes in an episodic manner. Short, sharp scenes, no nonsense, no fluff; each crafted to accelerate the plot or expose characters’ intentions. I could easily see these characters used in an ongoing TV series. A personal highlight for me, was Marley’s use of Mr Bright Sky to serve as a beat for the heist. Loved this.

The main flaw for me in this novel (and it’s a minor one) was with the main character, Danny. Whilst we saw excellent development with CC, and to a lesser extent, Harkins, I felt that Danny did not change significantly throughout the novel. He remained, for me, largely unaffected by the events unfolding around him, and at moments, a little too in control at all times. His past gave him a lot of doubts and flaws, I’d have liked to have seen more of these exposed in the latter art of his story. Really though, it’s a minor quibble, and one I’m sure there will be adequate time to work with on the follow-up.

A hugely impressive debut novel from a talent to watch.

 

Standstill is available now from Bloodhound Books and at Amazon worldwide.

 


 

ABOUT J.A. MARLEY

 John A. Marley’s writing career started with a poem about two brothers who both liked sausages…their names were Butch and Dutch and his Primary School teacher Mr. Murray liked it so much it made the main noticeboard at the entrance to Holy Child Primary School in West Belfast.  A little older but none the wiser, he ended up as a film journalist in his native Northern Ireland, contributing to local newspapers, BBC Radio Ulster and latterly writing as the main film critic for the glossy magazine, Northern Woman.

John’s love of good stories came from the Irish predilection for telling a good yarn and the fact that there was nothing quite like sneaking away his Dad’s battered paperbacks to read even though he knew they were meant for adults and not kids. And so pulp fiction such as The Edge Westerns by George G. Gilman, the adventure novels of Alistair MacLean and the thrillers of Jack Higgins all served to whet his appetite for a good story told at pace.

These days, his reading tastes still focus on thrills, spills and good plot and he can’t walk by a James Lee Burke or an Elmore Leonard without pausing to read a few pages…even if it is in a busy bookshop. 

John runs his own production company Archie Productions which he launched in 2008. Prior to setting up his own indie, John enjoyed a wide and varied career in television with creative roles at Talent Television, Planet 24, Carlton Television and Walt Disney UK. 

John’s broadcast media career started in his native Northern Ireland as a radio host.

Links:

www.jamarley.com

@jamarleybooks

Bloodhound Books

J.A Marley at Amazon