Kill or Die by Ann Evans – Review

This book has been my surprise of the year so far.

A first in the genre from Evans, Kill or Die is nonetheless a fine display of skill and confidence from a seasoned writer who makes smart choices in her prose and choice of narrative. Evans’ immersive and descriptive prose excels in engaging the reader and in stimulating a cascade of very vivid images of the setting and her characters.

Well-crafted, and natural-feeling dialogue, utilising a mixture of long and short sentence structure, augment the already good characterisation. Combined with Evans use of Body language to covey intent and emotion, this elevates the characterisation to another level and places it amongst the most skilled I’ve read in a while.

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A third-person, past-tense narrative throughout suits the plot and propels the characters and their deeds along at a fair old clip. Kill or Die is seeped in suspense, eliciting a deep sense of unease and conflict throughout. The novel is permeated with a measured tension that I really enjoyed. With her choice to place Julia and her daughter front and centre, Evans appears to effortlessly tap into the subconscious fears all parents harbour and suppress and asks her readers to explore their own unease.

How far would you go to protect your child? Answer: As far as you had to.

A great new addition to the publisher’s catalogue and yet another declaration of Bloodhound’s intent to continue to develop quality books and writers.

 

You can find Ann and her books at Bloodhound Books and a Amazon

Anglesey Blue by Dylan H Jones – Review

Anglesey Blue is a pleasant surprise in a genre I rarely read. Written in 3rd-person, past-tense (again, uncommon in the genre), Jones’ narrative flows well and engages the reader effectively. Despite being a little exposition-heavy at times (for my taste) Jones’ excellent dialogue offsets what could’ve been a minor quibble in the chunks of exposition.

The dialogue feels ‘current’ in a way that many crime writer’s don’t always manage and always has purpose, whether in moving the plot forward or in slowly peeling away to reveal more depth to the characters than one might expect. For me this displayed an impressive technique in showing rather than telling in the dialogue sections, and clearly a strength for this writer.

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The plotting is tight, and mostly pacey, but where it lacks pace, I sensed important groundwork and character development being laid down for future stories, which is always welcome.

 A very solid start to a series. I will definitely pick up the next book.

You can find Dylan H Jones at Bloodhound Books and Amazon.

Only The Dead by Malcolm Hollingdrake – Review

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Hollingdrake’s novel cleverly fuses some well-researched- and entirely fascinating- historical references and with equally-well represented modern-policing procedures, producing a tightly plotted and considered read.
An engaging story which manages to avoid the well-trod clichés in plot and character, I associate with ‘crime’ novels, Only The Dead has been a pleasant surprise in a genre I rarely read or connect with.
Hollingdrake’s DCI Bennett is allowed to be a real person, rather than a box-ticking mannequin displaying all the usual detective characteristics. He has his foibles, his flaws, his prejudices and his ethics. I liked the lead character a lot, and sense much more development to come in future books.

The main antagonist, Lawrence, interested me greatly. With convincing motives and excellent methods, he made the book for me.
Hollingdrake utilises a third person, past tense narrative throughout, but has the talent to make he differing voices of his characters ‘sound’ unique despite being written in the same POV and tense. Not many writers have the skill for this.


My first read from Bloodhound Books.
Malcolm is a writer’s writer. Unflashy, but technically competent, his writing style is precise and informative, but never fails to be engaging and entertaining; it perfectly suits the type of novel he has written in Only The Dead.

 

Only The Dead is available now from Bloodhound Books and at Amazon

Networking For Authors. 

Networking can be tricky for a writer, especially for Indies. Here’s my top tips on how not to be an asshole.

How to Network

Incorrect:

1) Email a writer you’ve never read telling them you love their work and asking them to read your book….cos it’s yours.

2) Just email a writer your book.

3) Add on FB or Twitter. Make no attempt at conversation. Post requests or links to your book or page on their timeline.

4) Propose a ‘read mine and I’ll read yours’ deal to someone you have no existing relationship with, especially if the genre they write in is not connected to the one you write in.

5) Propose a ‘review mine and I’ll review yours deal. (Reading said books not required).

6) Invest time in gathering reviews from other writers solely for cross-review purposes.

7) Asking other writers to proof or edit your work (hire an actual editor or proof-reader).

If you get constructive feedback you don’t like, say thank you and read it again a week later. Chances are you’ll find that some of the comments you’ve been given will improve your book in some way you hadn’t considered. When someone invests hours to give a good, honest critique of your work, you should be nothing but grateful that they valued it enough to do so.

I love your books

Correct:

1) Never network for the sake of sales.

Form relationships, have actual conversations. You might accidentally make a friend.

2) Never request that they read your book. If they ask after it, offer a free copy, no review requested.

3) Read books you genuinely think you’ll love. If you enjoy it, email the writer telling them so. Review it if you feel like it. Leave it to them whether they choose to respond or seek out your work.

4) Offer any skills you have to fellow writers for free. Expect nothing in return, do it to see others succeed and produce the best work they can. Success for one of us feeds into the collective.

5) Do not pester readers, but do pursue readers instead of other writers. Engage those you genuinely think will enjoy your work. Do this by placing your categories and keywords with some informed insight and by marketing in appropriate genre and forums and linking your book to similar titles. Give lots of copies away with only a gentle request for an honest review.

6) Occasionally construct a list of readers who have read works similar to yours. Email them a free copy stating that you’ve noticed they read X and think they’d enjoy yours also. Do not request a review.

7) Write. Lots. Produce a shit load of quality books that you’re proud of. More than anything this will increase your discoverability, assist your books in being linked to others that compliment and increase sales and aid in finding readers who care about your books. you’ll also encounter other, likeminded, writers who you can work and develop with.

8) Don’t be a needy, narcissistic sycophant.
Find Mark and his books at Amazon….Or don’t. He doesn’t give a fuck.

For All is Vanity by Robert Cowan – Review

With ‘For All is Vanity’, we see Robert Cowan maturing as a writer. With two solid novels under his belt, Cowan has chosen to remove himself from any potential comfort zone and to stretch his literary legs with gusto.

‘Vanity’ is by far Cowan’s most creative and experimental piece to date. A novel that makes you shift in unease at the main protagonist at points, but also feel the deepest sympathy for the mad bugger at others. Cowan has utilised a lovely narrative that switches between straight-up novel prose and some too-real diary entries.

Brave, compelling, skilful and a bold step in a new, more powerful direction, ‘Vanity’ reveals Cowan as a creative force to be reckoned with on the Indie scene and sets him apart from the formulaic breed of writers too often found there and in traditional publishing.

 

For All is Vanity is available now at Amazon

Marketing and Promo for ‘On The Seventh Day’

I’m not a marketing or promo expert, not by any estimation.

Whilst I kind of enjoy marketing, I hate promo. I really, really hate it. So much so that I haven’t done any significant promo on my last three books (since dEaDINBURGH: Vantage for anyone who cares).

 

Why?

I find that most book promo is repetitive, exhausting, uninspired, tantamount to begging in some cases and very often fruitless.

For me, Twitter is the least effective way to promo a book and comparable to throwing pieces of paper into the wind with your book name on one side and ‘pwease buy my bwook’ on the other.

 

Unfortunately, at some point, promo is necessary. With my latest release, On The Seventh Day, I accepted the inevitable need to promo, and sat down to have a think about how I could make the process more tolerable for me, engaging for potential readers, able to generate somewhat of a buzz, and perhaps even enjoyable.

I wanted to engage people, not panhandle the fuck out of them.

 

Having recently launched the book (on 15th November 2015), with a two month pre-order period, I feel the most positive I ever have about the promo process and had a tremendous amount of fun during it.

 

For the first time, I feel I’ve succeeded in making readers part of the process without selling to them and have generated more interest in the book than I would have with a more conventional promo process, eg, blurb, quote-tweet/Fb repeat. Press releases, review chasing, advertising etc.

Has it had a significant impact on sales? Ask me in a few days for a yes or no (I don’t share sales numbers publicly, mainly because I think it’s crass as fuck to do so). So far, I’ve had better first day sales, and I’ve had a lot worse, but I’ve never enjoyed the promo and launch experience more.

 

Below are some of the steps and strategies I took and employed:

 

 

Marketing:

Marketing on this novel had been a bit of a no-brainer. As the novel is essentially a split between a comedic plotline (second coming of Jesus) and a more theological plotline (Satan relaying the history of creation and evolution and being mankind’s representative in Heaven), I had a firm idea of how to market and whom to early on.

 

7th day was always going to be a love/hate book, simply because the strong language, religious irreverence (and sometimes disdain), mixed with fairly in-depth evolution and theological discussion isn’t gonna be everyone’s cup of tea.

 

I placed it in the satire, dark comedy, religious fiction, mashups, alternative history and parody sections. And then wrote a product description that was deliberately inflammatory (to certain people) and reflective of the novel’s plot, whilst containing keywords I hope will bring in readers searching for similar works. Time will tell on the effectiveness of this.

 

Blurb:

“God hates you. Regardless of religion, race, sex, sexuality or nationality. He hates all of you. Basically, you are fucked.”

Irreverent dark humour from the author of Lanarkshire Strays and the dEaDINBURGH series.

God is pissed off.

He has run out of patience with humans and decided that our time is over. We’ve had our chance and it’s back to the drawing board. “Fuck the lot of them” is his newest gospel.

Mo, and Jay, best friends who’ve fucked up in the past, beg him for one more chance to get the humans back on track. Alongside Mr Saluzar, the head of a global charity foundation, and Nick, The Fallen Angel, they hurtle towards Armageddon and their one chance to prove God wrong.

They have seven days to save us.

On The Seventh Day contains strong language and religious irreverence which some may find offensive.

Praise for On The Seventh Day:

“If Irvine Welsh’s ‘Glue’ got The Bible up the duff, you’d have On The Seventh Day.”

“Seventh Day is the book that John Niven’s ‘The Second Coming’ desperately wanted to be and failed.”

 

I figured that the language and (apparent) blasphemy in the blurb would keep away the kind of reader who wouldn’t enjoy the book, or piss them off enough to leave a shitty review without having read the book, which for me is promo gold.

 

Cover and images for marketing and for promo came next.

I designed a few different covers using images from stock image sites. Here’s a few examples and the final cover:

 

 

I brought in my usual beta-readers but invited some readers who were religiously-minded as well as those who would enjoy the more comedic elements.

I had a proper mixed bag of comments, which was to be expected and no doubt will reflect reviews to come.

Normally I engage half a dozen or so beta-readers who I know will give me brutal and constructive feedback. With 7th Day, I had fifteen people beta-read. As always some did not make a return, but only three failed to do so, not a bad return. As a result I’m two days after launch with 12 honest reviews already live for the book.

 

8 of these were up whilst the book was still on pre-order. To do this, you need to have the paperback available, pre-order kindle books cannot be reviewed.

 

I’m still undecided on whether having the book on pre-order helps or harms launch sales. With this book I enjoyed the process and most of it wouldn’t have been possible without the pre-order in place, so I guess it paid off this time in terms of building engagement and enjoyment. I’ll try a future release without the pre-order for comparison.

 

As I always do, I ran a few ideas by my writing-wife, Bracha, as well as including links to his book in the rear matter of mine. We do this as a standard cross-promo. Does it help? See how closely we are linked on amazon for your answer.

 

The lad Bracha and I have also been waiting for a while to put together a Double A-Side type project. Bracha’s The Switched and my, On The Seventh Day have mated and are available as a collected edition titled Parental Guidance: A Transgressive Double A-Side.

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Cover by Ryan Bracha

 

Will the extra exposure affect sales in a positive or negative way? Time will tell. For the meantime we’ve a happy coupling of novels, producing a demented bastard child to hopefully help drive traffic to each other’s work.

 

Promo:

 At the beginning of the writing process I had a good idea of the overall plot of the

Novel. This isn’t always the case, more often than not I sit down with a vague concept and see where it goes. The advantage in having a better idea of the overall story allowed me to plan ahead and begin engaging readers early in the process.

 

I’ve made a habit over the years of using (with permission) real people’s names for characters. I feel it makes the books more meaningful to me and gives friends and families a connection to the book, that personally I love, and in the market place means they assist in an honest and enthusiastic manner when promo time comes.

 

An important plot mechanism for the novel is the reaction to events on social media.

I wanted these reactions to feel real and asked reads and friends to allow me to use their twitter handles in the novel to compose ‘fake’ tweets that appear in the book.

On launch day I asked these people to tweet their ‘fictional’ tweet to my fictional character (Jesus), who I’d named after a real person (Garry Crawford). Each tweet was directed to Gaz’s twitter account as he is the main character in the book.

 

The tweet team also tweeted some outraged comments about the book to organisations like Westboro Baptist, just for the fuck of it.

 

I really enjoyed taking the fictional tweets and seeing them tweeted in reality and the readers emailed me many times saying how thrilled they were to be part of the process and have their tweets appear in as such a significant plot point in the novel also. I think it gives the reader an ownership of the book, which is great, all readers should feel that way to an extent when reading, but to have a personal attachment to a book, took it to another, more personal place. Business-wise this gives me a team of people who are invested in helping promote my book I wouldn’t otherwise have had. Better still, they have an honest love for the book, which is fucking priceless.

 

As always, I wove a few short-stories, featuring people I know, into the overall plot and narrative also.

 

Essentially, I’ve been able to take a back seat and allow other people’s excitement at the project form a more natural buzz about the book than would normally be accomplished.

 

During the writing process I also created a few promo images with quotes from the book and some blog posts with early extracts. Standard stuff for me when I’m in the writing phase. Occasionally I’d make a trailer also, but not for this book.

 

As always, I ran a giveaway on Goodreads. In the past, these have ranged from 2500 entrants to 250 for my books.

Why bother?

Mainly to raise the book’s visibility whilst it is on pre-order, but also so that I can then contact around 50% of the entrants (those most likely to enjoy the book and review it, based on their reading history) after the giveaway has ended and offer them a free kindle or pdf copy of the book as a consolation prize.

This is not something I would do on Goodreads in the normal run of things, but after a giveaway I have a list of people who were interested in my book, so I’d be a fool not to use that information.

Typical uptake is around 40% with around a 60% actual return from that pool in terms of reviews.

 

I also research and approach readers who have read similar books to mine, but am very careful to select only those readers that I genuinely believe will enjoy the book, based on their reading habits. General I find a book that I like and is a similar read.

 

This strategy has been key to review building on my dEaDINBURGH series, but I use it only on specific books and carefully targeted readers. A scattergun approach is futile and annoying to readers. Do not piss off Goodreads reviewers.

 

As well as this, I set up an event page for an online launch on FB.

Uptake was pretty good, but I was careful to never actually try to sell the book on the event page.

Instead I shared daily pictures and stories and memes, all poking fun at religion. Lots of comments and engagement came, and those involved were into the satire, having never been sold to.

Every person commenting or liking these posts in the event, was helping me promo across their newsfeed as the likes and comments, obviously popped up in their newsfeeds.

Here’s a selection of images I used and people posted in the event page:

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I also ran a competition to win a Kindle fire HD7, some signed paperbacks and kindle editions of the novel. I took a FB Ad for this (£20), a ‘Like and Share’ deal. Engagement was good and clicks (and subsequent sales) more than covered the cost of the prizes (which I’d sourced cheaply).

 

This for me was a much more engaging and genuine way to get people to share my link around and again made those participating feel a part of the buzz that was building.

 

Overall I’m delighted with the fun I had promoting On The Seventh Day and have come out of it having generated some positive buzz, increased visibility of my back catalogue as well as the new book (definite sales bounce on my other titles despite a price increase) and most importantly, I don’t feel jaded simply because I have been having fun and not selling at people for weeks on end.

Will any of the promo or marketing actually affect sales in the short or long term?

Fuck knows. Writers don’t like to admit that a breakout novel is likely a result of bundles of cash being invested or pure blind luck combined with fortunate product placement or inking to larger works.

 

Having said that, if 7th Day is an international bestseller, I’ll be talking shit about how great my marketing and promo was and giving my own genius full credit for the ‘success’.

 

Mark is the author of eight fiction works and one non-fiction book. You can find Mark and his books at Paddy’s Daddy Publishing or at Amazon.

 

 

 

 

 

 

 

Prince Lestat by Anne Rice Review.

So here’s the thing. I’m a huge fan of the vampire chronicles. Vampire Lestat, Queen of the Damned, Tale of the Body Thief, Memnoch; Blood and Gold, Pandora, Vittoria; God I love them and have read each several times over.

Then Ms Rice chucked her Mayfair people at the chronicles and fucking ruined them.

I was hoping for a return to the old chronicles, y’know when reading about these characters truly was like visiting an old friend.

Prince lestat is simply a journey along with an author as she disappears firmly and irreversibly up her own arse in a storm of over-descriptive, self-aware and self-impressed navel-gazing wankery.

Utter pish. So disappointed.