Even the deadliest criminals leave a trail…
When a psychotic policeman drags the young, ambitious thief, Danny Felix out of bed, he could not imagine he was about to be plunged into the robbery of a lifetime.
Corruption and coercion follow the corrupt Detective Inspector Harkness everywhere he goes and now he has Danny just where he wants him.
But Harkness isn’t the only officer with Danny in his sights. Christine Chance is getting closer to him while doing her best to be a mother to her seriously ill daughter.
Can Danny escape Harkness with his life intact? Can he avoid detection by Chance? And does he have what it takes to use the streets of modern day London to pull off the theft of the 21st Century?
Danny thinks he can…but there will be bloodshed?
Standstill is an invigorating read that feels like it is adding something quite fresh, modern and fun into an often tired and clichéd genre.
J.A. Marley writes with all the technical skill and self- assurance of a seasoned writer whilst managing to make his characters, plot and dialogue feel vital, realistic and utterly connected to the plot which unfolds at pace throughout this novel. For a debut author Marley’s ability to tell a story, which he fires relentlessly at the reader, is notable.
Written in third-person, past-tense throughout, Standstill is one of the paciest and most engaging novels I’ve read in recent times. The reader follows a number of characters through several weeks in which they are brought together on the road to what is essentially an audacious heist at the finale of the book.
What sets Marley’s characters, and his story, apart from the usual heist romp is his ability to convey the very best and the very worst of each of his characters; exposing their intentions, motivations and desires without judgment.
Marley lays his characters bare before the reader, utilising some lovely flashback techniques that in less able hands could’ve been unengaging exposition dumps. Marley takes these moments and expertly crafts tender, or brutal or, heart-wrenching insights into his main players. This is not an easy technique, that a debut writer is assured enough to utilise, and in such fine manner, is impressive.
My favourite example of this was a scene in which Danny replays sections of his childhood whilst picking locks. This scene was heavy with metaphors and symbolism and was a completely perfect little section of writing.
Marley’s characters are the lifeblood of this wonderfully invigorating read. Each of them pulses into vivid life displaying psychological damage, realistic motivations, flaws, virtues. Each are genuinely lost while still remaining intent on their goals. Complex stuff, from some truly terrific characters, none of whom are minor or act as bit-players.
Dialogue is also a major strength throughout. Always believable, and never wasted, Marley’s dialogue serves to move the plot or the character development forward. Not a ‘spoken’ word is wasted as filler.
Marley writes in an episodic manner. Short, sharp scenes, no nonsense, no fluff; each crafted to accelerate the plot or expose characters’ intentions. I could easily see these characters used in an ongoing TV series. A personal highlight for me, was Marley’s use of Mr Bright Sky to serve as a beat for the heist. Loved this.
The main flaw for me in this novel (and it’s a minor one) was with the main character, Danny. Whilst we saw excellent development with CC, and to a lesser extent, Harkins, I felt that Danny did not change significantly throughout the novel. He remained, for me, largely unaffected by the events unfolding around him, and at moments, a little too in control at all times. His past gave him a lot of doubts and flaws, I’d have liked to have seen more of these exposed in the latter art of his story. Really though, it’s a minor quibble, and one I’m sure there will be adequate time to work with on the follow-up.
A hugely impressive debut novel from a talent to watch.
ABOUT J.A. MARLEY
John A. Marley’s writing career started with a poem about two brothers who both liked sausages…their names were Butch and Dutch and his Primary School teacher Mr. Murray liked it so much it made the main noticeboard at the entrance to Holy Child Primary School in West Belfast. A little older but none the wiser, he ended up as a film journalist in his native Northern Ireland, contributing to local newspapers, BBC Radio Ulster and latterly writing as the main film critic for the glossy magazine, Northern Woman.
John’s love of good stories came from the Irish predilection for telling a good yarn and the fact that there was nothing quite like sneaking away his Dad’s battered paperbacks to read even though he knew they were meant for adults and not kids. And so pulp fiction such as The Edge Westerns by George G. Gilman, the adventure novels of Alistair MacLean and the thrillers of Jack Higgins all served to whet his appetite for a good story told at pace.
These days, his reading tastes still focus on thrills, spills and good plot and he can’t walk by a James Lee Burke or an Elmore Leonard without pausing to read a few pages…even if it is in a busy bookshop.
John runs his own production company Archie Productions which he launched in 2008. Prior to setting up his own indie, John enjoyed a wide and varied career in television with creative roles at Talent Television, Planet 24, Carlton Television and Walt Disney UK.
John’s broadcast media career started in his native Northern Ireland as a radio host.
J.A Marley at Amazon