I’m just so excited about the stage we have reached in terms of the music and literature industry in Britain right now. We’re about to hit a bubble where a massive explosion of new, exciting, meaningful and mind-blowingly energetic music and novels are about to emerge; clearing out the bland pish we are currently drowning in. Even the odd meaningful movie with a heart is sneaking through. Chronicle for example.
Don’t believe me? I’m a man in the know.
All my life, I’ve had a peculiar “affliction”. The technical name for it is synesthesia. Essentially it means that sounds in general, and music in particular, appear in my mind’s eye as colours. These are very specific and distinct to what each song or voice is conveying emotionally for me. As well as this, I love books and movies also. Imagine the soundtrack to a movie enhanced by flowing, swaying and splashing colours to accompany the music and words. Imagine the colour that flows from the words on a page when spoken aloud.
Now, how does this give me insight into the shifting landscape of our music and book industry? Well, for about 5 years now the British music industry in particular has been a very beige place to be in. The seemingly endless conveyer belt of X-Factor puppets and reformation of man-bands and Buble’s of the world have left the music scene dry, boring and colour-less. Where’s the excitement? Where are the songs and albums that you can identify with, laugh with, be outraged with, or that make you want to go f@cking nuts? Which particular artists are going to define the teen of today? The Script? The Wanted? JLS? Take-That? Nothing wrong with any of these acts, certainly there’s a lot worse around, but to my ears (and eyes) it’s music to chat to; music to have “ isn’t this civilised?” dinner parties to; but mostly, music to ignore.
Just look at Snow Patrol. This group actually produced some decent and innovative songs in their early days. Now? They’re slaves to their record company’s demands for formulaic coffee table soft rock ballads. They’ve gone from being a battered old VW van, full of charisma, tales to tell and character to becoming a 5 star safety rated Renault Megane. Don’t get me started on those bastards, Nickleback!
The literary world is just as bad and just as beige. Irvine Welsh came along and redefined everything for me about how a book could be formatted and written, or a tale told. Trainspotting was a revelation; Glue was arguably his finest moment. Everything else? A copy of a copy. Each piece written to emulate what made his early work so vibrant, but never quite recapturing the hunger and passion of those works. Irv, please, don’t keep writing what you think the audience wants; rather give us your best, straight from your black heart. I miss Juice Terry, Begbie and the boys, but don’t trot them out like well-worn slippers for a tired re-enactment or two, put some good old-fashioned Welsh spunk in their stories or don’t bother yer arse.
I could list all day the formulaic strategy that writers have adopted and name and shame those c@nts, but why bother? You know how you are; Grisham, Cornwell, Patterson, Harris, Ludlum and your pals. The comparison between these “industries” is obvious to anyone who loves music, books and movies. The “big 6” have told us who and what we “want” to read for long enough.
Just as music is emerging (hopefully soon) from an age where the bean-counters and committees decide and dictate what we listen to, read or watch, so too is the literary world. Self-publishing without a doubt will bring its problems: poorly written, poorly edited or written to a formula John Locke-type “novels” etc. However with that comes the freedom of being able to publish the stories we want to tell when we want to tell them. To be able to write and distribute the very best words straight from our hearts to (hopefully) our audience. Fine times are ahead indeed.
Here’s the Brucie-Bonus though. Every so often when music or film or literature gets to its lowest point a monster of a group or completely new sound, or a new voice, director, writer or visionary comes along and inspires change of immense proportions. Guys like John Niven are starting to emerge and that suits me just fine Times of austerity and poverty also historically produce musicians, writers and artists who are hungry for change and have a message to force into the public consciousness.. Times are very tough at present.
Revolution is on its way, praise the Lord.
Good times are a comin’.
My debut novel, “Bobby’s Boy” is available now on Amazon: