Gale City is the last city in the world and under the strict control of the illusive Centrals.
When females reach adulthood, they’re given the chance to compete at Showcase for the honour of becoming surrogates for the Morbihan – a highly intelligent, obese race of people, unable to procreate naturally. All the other girls are excited to become hosts, all except Megan Skyla.
Convinced there’s more to life, Skyla teams up with an unlikely friend and they go in search of a cure for the Morbihan condition. Things don’t go to plan and their journey becomes a harrowing quest fraught with danger and deceit.
How can Skyla discover the truth when everything she’s been told is a lie? Can anyone in Gale City ever really be free?
Skyla is about to discover that freedom has a price and she’s going have the fight to survive.
Skeletal is a disturbing vision of the future and a literary thriller unlike any other.
Skeletal, for me, was a real surprise of a novel. Set in a dystopian future, but one that is entirely plausible, Skeletal isn’t your typical Bloodhound novel, at least not on the surface.
Drawing on the influences of Philip K Dick, Suzanne Collins and Koushun Takami, Pullar has succeeded in forging something entirely new and utterly engaging in Skeletal.
Pullar’s dystopian world is well-drawn, desolate, threatening, dark in tone and seemingly hopeless, but somehow the reader is pulled along the narrative with hope and even humour as the string tugging them along despite the apparent bleakness of the setting And circumstances of the main character.
In Skeletal, Pullar presents her readers with a world that smacks of her obvious influences; but whilst Pullar’s dystopia runs parallel to that of the worlds explored by Collins or Takami- presenting a split society of have and have nots, rich and poor, gluttonous and starving- unlike those authors mentioned previously, Pullar tackles these familiar settings, the social commentary associated, and the juxtapositions with a refreshing, often deliciously-dark humour.
Pullar’s main protagonist is downtrodden, for sure, she’s suffered and is aghast at the life led on the other side of the fence, but what she has in spades is vigour, the darkest of dark humour and a self-awareness that the much grimmer Katniss’s of the world have never possessed.
Utilising first-person, present-tense throughout, Pullar’s narrative coveys an urgency to the reader. It’s an excellent choice of narrative and suits the plotting perfectly, drawing the reader into the ever-present danger and fear of sky’s world and her position in it. For me, it lent a degree of suspense the novel may have lacked if written in a different Point of view or tense.
Pullar writes like a screenwriter. She introduces characters and scenes in a very visual manner, presenting them in their current circumstance or setting with no preamble or forced exposition. She asks that the reader accept unfamiliar terms and places and hierarchies and rules. She demands that the reader trust her and lose themselves completely in what’s unfolding. This works beautifully for Pullar and- for me- was a particular strength in her writing style.
This type of episodic, scene writing doesn’t always work in a novel, and can be difficult for some writers to pull off; Pullar makes it look easy and my God, it worked perfectly for this character and this plot.
Skeletal was, as I said earlier, a real surprise for me, simply because the genre is a slight (but welcome) departure from the type of novel I’ve come to expect from Bloodhound’s rapidly growing catalogue. What remains consistent though is Bloodhound have yet again discovered a skilled writer, who has crafted a very accomplished, imaginative and skilled novel.
Emma Pullar is a writer of dark fiction and children’s books. Her picture book, Curly from Shirley, went to number four on the national bestseller list and was named best opening lines by NZ Post. You can read her SJV Award shortlisted horror story, London’s Crawling, in the Dark Minds charity collection and her dystopian sci-fi story, Old Trees Don’t Bend, in The Anthropocene Chronicles. Emma has also written three shortlisted stories for Create50 which are awaiting the winner announcement. Her debut novel SKELETAL published by Bloodhound Books is due for release 27th October 2017.
FB Page: Emma Pullar Storyteller